I’ve often wondered why some people—me for instance—become obsessed with tracing their family tree, and other people have zero interest. Take my brother, for example. I’ll unearth some tantalising snippet about our family tree and send out a group message to our family. Some members of my family will share my excitement, but for my brother, it won’t raise a skerrick of curiosity.

He says, “What difference does knowing all of that make to my life right now?”

I understand this position—unless I dig up a long lost wealthy relative who’s looking to leave their money to a family member.

But I view it a different way. I believe that who we are is a combination of nurture and nature.

Regarding ‘nurture’—in your Genealogical Tree are the names of every one of your ancestors who had a child, who had a child, etc. that led to you. It is not unreasonable to suggest that every decision made by these ancestors contributed to who you are today.

Regarding ‘nature’—it is less clear whether a particular ancestor in your Genealogical Tree has any biological contribution to you (or what the extent of their influence is), because of the random nature of DNA inheritance—though some geneticists suggest that there is a very high likelihood that you will have inherited some DNA from ancestors 9 x removed from you. That’s an enticing thought. At this stage, however, it is not possible to map your Genetic Tree to know for sure who is in it, but it is only a matter of time.

A few years ago, one of my husband’s aunts showed me a thick book with a red cover and gold embossed title. This tome chronicled the details of the life and offspring of Theophilus Fewtrell—my husband’s 4x great-grandfather, and by extension, my sons’ and grandson’s 5x and 6x great-grandfather. Whilst the research was impressive and the details extensive, there were many questions unanswered; for example, why did he make the decisions he made–which impacted on his family and his descendants’ lives? If I was to gain a sense of what the details of Theophilus Fewtrell’s life might mean to my family, I needed to understand him on a deeper level.

His story, as laid out in The Feutrill Saga book, and later confirmed by my research, hooked me. Here was an 18-year-old English boy, orphaned from age 3, who signs up to be a member of the New South Wales Corps in 1789 and sails to the other side of the world. Theo’s enlistment sees him serving in three continents and thrusts him amongst the struggles of a fledgling country, dealing with famine and other hardships. His is a story of love and loss and an impossible decision that leads to devastating consequences.

Theo’s life details are compelling, but a hypothesis was needed for his motivations and decisions, in the context of early Australia and the British military in the late 18^th/early 19^th centuries.

This was my inspiration to finally write a novel–to create a work of fiction based on facts and really get to the bottom of Theo’s story. In March 2019, I set down my first words.

Having worked in marketing, corporate communications and editing, gave me the confidence to start the manuscript, but it was soon apparent that corporate and creative writing are different disciplines. If the story was to be told well, I had to gain new skills.

The next 18 months saw my immersion in learning the creative writing discipline. Apart from a creative writing course and joining a Writers’ Guild run by a successful US novelist, I read blogs about structure, dialogue, character development and the business of publishing, and downloaded writers’ resources. The back catalogue of a writer’s podcast ran in my car. The local writer’s group accepted my membership, and I’m soon to start group coaching with a UK-based historical writer’s organisation.

To connect further with the writer and reader communities, I established my ‘writer’s’ website (www.raeblair.com) and online presence on Instagram (RaeJBlairWriter) and Twitter (@RaeJBlairWriter).

Running alongside all of this was the research, which formed the backbone of my hypotheses regarding Theo’s life decisions. Accessing journals of people who passed Theo in the street or who were passengers on the same ship over from England, and even letters written by people in Theo’s regiments, brought his world to life. There were academic theses about bushrangers and Australia’s security, and diaries of doctors who treated illnesses of the era, which added context, and these were just a few of the sources that contributed to my understanding.

And each day, the learning and the research fuelled the words that formed the story.

After 18 months, the novel has a beginning, a middle and an end, and is (from my viewpoint) a cohesive work of fiction. It has the working title of ‘More than I ever had’. The manuscript is now being read by a handful of people from diverse backgrounds who will provide me with critical feedback. This input will help take the novel to the next level, when it should be ready then to submit to potential publishers.

I’ll let you know how it progresses!